1
00:00:02,543 --> 00:00:03,335
>> THEY WERE KNOWN AS

2
00:00:03,418 --> 00:00:04,210
SNAKES N' BARRELS--

3
00:00:04,293 --> 00:00:05,835
A TOUGH GROUP OF ROCK THUGS FROM

4
00:00:05,918 --> 00:00:07,543
THE WRONG SIDE OF THE TRACKS,

5
00:00:07,626 --> 00:00:08,793
WITH A RAVENOUS MADMAN AT THE

6
00:00:08,876 --> 00:00:11,085
FOREFRONT, A MAN SIMPLY KNOWN AS

7
00:00:11,168 --> 00:00:13,126
PICKLES, WHO EVENTUALLY BECAME

8
00:00:13,210 --> 00:00:14,210
THE LEGENDARY PERCUSSIONIST FOR

9
00:00:14,293 --> 00:00:15,418
DETHKLOK.

10
00:00:15,501 --> 00:00:17,251
BUT YEARS EARLIER, PICKLES WAS A

11
00:00:17,085 --> 00:00:18,501
YOUNG MIDWESTERNER ON A

12
00:00:18,585 --> 00:00:19,835
DUST-COVERED BUS HEADED

13
00:00:19,918 --> 00:00:21,043
TOWARDS L.A.

14
00:00:21,126 --> 00:00:22,085
>> THIS BOY COULDN'T HAVE BEEN

15
00:00:22,168 --> 00:00:23,960
OLDER THAN 16 WALKED RIGHT INTO

16
00:00:24,043 --> 00:00:26,293
MY PAWN SHOP LOCATED ON FAIRFAX

17
00:00:26,376 --> 00:00:27,960
AND WILSON, AND HE SAID, "GIMME

18
00:00:28,043 --> 00:00:29,251
A GUITAR."

19
00:00:29,335 --> 00:00:30,835
AND I SAID, "OH, WE GOT THIS

20
00:00:30,918 --> 00:00:32,876
SWEET OLD JAZZ BOX GUITAR."

21
00:00:32,960 --> 00:00:34,418
AND HE SAID, "NO!

22
00:00:34,501 --> 00:00:36,835
I WANT THAT GIBSON LES PAUL

23
00:00:36,918 --> 00:00:40,168
GOLD-TOP WITH THE HUMBUCKERS."

24
00:00:40,251 --> 00:00:41,668
NOW, THE WAY THAT HE TOLD ME

25
00:00:41,751 --> 00:00:43,626
THAT, I JUST KNEW THAT HE MEANT

26
00:00:43,710 --> 00:00:44,668
BUSINESS.

27
00:00:44,751 --> 00:00:46,751
AND I WAS LIKE, "UH-OH.

28
00:00:46,835 --> 00:00:49,043
HERE COMES--THIS GONNA BE BIG."

29
00:00:49,126 --> 00:00:50,168
>> AND THE MUSICAL PERSISTENCE

30
00:00:50,251 --> 00:00:51,501
OF THE YOUNG MAN PAID OFF.

31
00:00:51,585 --> 00:00:52,543
WITHIN MONTHS, HE HAD HIS OWN

32
00:00:52,626 --> 00:00:54,376
BAND SIGNED TO A MAJOR LABEL.

33
00:00:54,460 --> 00:00:55,335
THIS WAS THE BEGINNING OF

34
00:00:55,418 --> 00:00:56,793
SNAKE N' BARRELS.

35
00:00:56,876 --> 00:00:57,710
RECORD SALES WERE THROUGH

36
00:00:57,793 --> 00:00:59,043
THE ROOF, BUT THE CONSTANT

37
00:00:59,126 --> 00:01:00,251
TOURING TOOK ITS TOLL ON

38
00:01:00,335 --> 00:01:01,668
SNAKES N' BARRELS, AND DRUG

39
00:01:01,751 --> 00:01:03,585
USE BECAME A REGULAR PART

40
00:01:03,668 --> 00:01:04,668
OF THEIR LIVES.

41
00:01:04,751 --> 00:01:06,126
>> "ANTONIO SHOT HEROIN INTO HIS

42
00:01:06,210 --> 00:01:08,126
BALLS AGAIN THIS MORNING.

43
00:01:08,210 --> 00:01:10,376
HE SAYS THIS TIME IT WAS AN

44
00:01:10,460 --> 00:01:11,543
ACCIDENT.

45
00:01:11,626 --> 00:01:12,793
I'M SURE WE'LL HAVE THE USUAL

46
00:01:12,876 --> 00:01:15,043
DIFFICULTIES ON STAGE TONIGHT.

47
00:01:15,126 --> 00:01:17,085
I KNOW I SOUND LIKE A BROKEN

48
00:01:17,168 --> 00:01:18,835
RECORD, BUT I NEED HEAVIER

49
00:01:18,918 --> 00:01:20,001
MUSIC."

50
00:01:20,085 --> 00:01:20,876
>> THE SCOURGE OF DRUGS WOULD

51
00:01:20,960 --> 00:01:22,251
FORCE SNAKES N' BARRELS TO

52
00:01:22,085 --> 00:01:23,835
DISBAND NEARLY OVERNIGHT AT THE

53
00:01:23,918 --> 00:01:25,210
TOP OF THEIR GAME.

54
00:01:25,043 --> 00:01:26,293
RUMORS OF OVERDOSE AND DEATH

55
00:01:26,376 --> 00:01:28,251
CIRCULATED IN THE PRESS, LEAVING

56
00:01:28,335 --> 00:01:29,918
THE WORLD TO FOREVER PONDER THE

57
00:01:30,001 --> 00:01:32,085
POSSIBILITY OF A REUNION.

58
00:01:32,168 --> 00:01:33,043
WILL THERE EVER BE--

59
00:01:33,126 --> 00:01:34,251
>> HEY, WE WERE WATCHING THAT.

60
00:01:34,335 --> 00:01:35,168
>> DUDE, RIGHT.

61
00:01:35,251 --> 00:01:35,793
SO YOU CAN MAKE FUN OF ME--

62
00:01:35,876 --> 00:01:36,376
I KNOW.

63
00:01:36,460 --> 00:01:37,085
>> NO WAY.

64
00:01:37,168 --> 00:01:38,043
TO COMPLIMENT YOU.

65
00:01:38,126 --> 00:01:39,168
YOU WERE SUCH A BEAUTIFULS LADY

66
00:01:39,251 --> 00:01:39,918
BACK THEN.

67
00:01:40,001 --> 00:01:41,543
MAYBE YOU WILLS ALLS FAVOR US

68
00:01:41,626 --> 00:01:42,960
WITH MAKEUP TIPS.

69
00:01:43,043 --> 00:01:44,335
>> [LAUGHTER]

70
00:01:44,418 --> 00:01:45,168
>> HEY, COME ON NOW.

71
00:01:45,251 --> 00:01:45,751
THAT'S VERY FUNNY.

72
00:01:45,835 --> 00:01:46,793
>> IT'S EXCITING.

73
00:01:46,876 --> 00:01:48,043
TURN IT BACK ON.

74
00:01:48,126 --> 00:01:49,668
I WANT TO SEE WHAT HAPPENS.

75
00:01:49,751 --> 00:01:50,376
>> WHAT DO YOU MEAN?

76
00:01:50,460 --> 00:01:51,710
I'M HERE, THAT'S WHAT HAPPENED.

77
00:01:51,793 --> 00:01:53,126
THAT'S THE END OF THE STORY.

78
00:01:53,210 --> 00:01:54,210
>> WELL, IT'S BORING WHEN YOU

79
00:01:54,293 --> 00:01:55,085
SAY IT.

80
00:01:55,168 --> 00:01:56,043
>> I KNOW.

81
00:01:56,126 --> 00:01:56,751
>> PICKLE?

82
00:01:56,835 --> 00:01:58,251
[SIGHS]

83
00:01:58,085 --> 00:01:59,418
THIS SNAKES N' BARRELS, IT'S...

84
00:01:59,501 --> 00:02:01,001
IT'S NOT MY CUP OF TEA.

85
00:02:01,085 --> 00:02:01,751
IT SUCKS.

86
00:02:01,835 --> 00:02:02,835
>> WELL...

87
00:02:02,918 --> 00:02:03,626
THAT'S NOT A NICE THING TO SAY,

88
00:02:03,710 --> 00:02:04,376
TOKI.

89
00:02:04,460 --> 00:02:05,418
>> NOT MY FAULT IT SUCKS.

90
00:02:05,501 --> 00:02:06,251
>> WELL, YOU KNOW, IT'S STILL

91
00:02:06,335 --> 00:02:07,126
NOT--

92
00:02:07,210 --> 00:02:07,960
>> [SIGHS]

93
00:02:08,043 --> 00:02:08,668
>> LOOK, I DON'T PLAY IN THAT

94
00:02:08,751 --> 00:02:09,335
BAND ANYMORE.

95
00:02:09,418 --> 00:02:10,668
IT'S HISTORY, ALL RIGHT.

96
00:02:10,751 --> 00:02:11,585
THERE'S NO NEED TO BE

97
00:02:11,668 --> 00:02:12,210
THREATENED.

98
00:02:12,293 --> 00:02:13,043
>> HEY!

99
00:02:13,126 --> 00:02:14,085
WE'RE NOT THREATENED.

100
00:02:14,168 --> 00:02:14,876
>> I KNOW.

101
00:02:14,960 --> 00:02:16,168
I'M JUST--IT'S OVER.

102
00:02:16,251 --> 00:02:18,668
ALL I CARE ABOUT IT DETHKLOK.

103
00:02:18,751 --> 00:02:19,585
>> PICKLES, CAN YOU COME IN HERE

104
00:02:19,668 --> 00:02:21,210
FOR A MOMENT, PLEASE?

105
00:02:21,043 --> 00:02:22,043
SNAKES N' BARRELS' RECORD SALES

106
00:02:22,126 --> 00:02:23,293
HAVE GONE THROUGH THE ROOF SINCE

107
00:02:23,376 --> 00:02:25,210
THE DOCUMENTARY BEGAN AIRING,

108
00:02:25,043 --> 00:02:26,043
AND THERE'S INTEREST OF A

109
00:02:26,126 --> 00:02:26,918
REUNION TOUR.

110
00:02:27,001 --> 00:02:27,876
>> OK.

111
00:02:27,960 --> 00:02:28,585
>> ♪ DO ANYTHING FOR DETHKLOK

112
00:02:28,668 --> 00:02:29,501
DO ANYTHING FOR DETHKLOK

113
00:02:29,585 --> 00:02:30,835
DO ANYTHING FOR DETHKLOK

114
00:02:30,918 --> 00:02:32,210
DO ANYTHING FOR DETHKLOK

115
00:02:32,043 --> 00:02:33,376
DO ANYTHING FOR DETHKLOK ♪

116
00:02:33,460 --> 00:02:34,751
>> ♪ DETHKLOK, DETHKLOK

117
00:02:34,835 --> 00:02:36,043
DETHKLOK, DETHKLOK ♪

118
00:02:36,126 --> 00:02:37,210
>> ♪ I'LL

119
00:02:37,293 --> 00:02:38,626
TEACH YOU

120
00:02:38,710 --> 00:02:39,960
WHO

121
00:02:40,043 --> 00:02:41,085
ROCK

122
00:02:41,168 --> 00:02:41,960
DETHKLOK!

123
00:02:42,043 --> 00:02:42,543
DETHKLOK! ♪

124
00:02:42,626 --> 00:02:43,418
>> ♪ SKWISGAAR SKWIGELF

125
00:02:43,501 --> 00:02:45,168
TALLER THAN A TREE

126
00:02:45,251 --> 00:02:45,793
TOKI WARTOOTH

127
00:02:45,876 --> 00:02:47,210
NOT A BUMBLE BEE

128
00:02:47,293 --> 00:02:48,376
WILLIAM MURDERFACE

129
00:02:48,460 --> 00:02:50,251
MURDERFACE, MURDERFACE

130
00:02:50,335 --> 00:02:51,085
PICKLES THE DRUMMER

131
00:02:51,168 --> 00:02:52,168
DOODILY DOO, DING-DONG

132
00:02:52,251 --> 00:02:53,001
DOODILY DOODILY DOO

133
00:02:53,085 --> 00:02:54,168
NATHAN EXPLOSION ♪

134
00:02:54,251 --> 00:02:55,460
[CAPTIONING MADE POSSIBLE BY

135
00:02:55,543 --> 00:03:00,876
TURNER ENTERTAINMENT GROUP]

136
00:03:00,960 --> 00:03:02,751
>> DETHKLOK IS ON HIATUS

137
00:03:02,835 --> 00:03:05,876
WHILE PICKLES REUNITES WITH

138
00:03:05,960 --> 00:03:08,126
SNAKES N' BARRELS.

139
00:03:08,210 --> 00:03:11,251
>> ALONE THEY ARE WEAK.

140
00:03:11,085 --> 00:03:12,501
>> I BELIEVE THE WEAKNESS LIES

141
00:03:12,585 --> 00:03:13,960
IN SNAKES N' BARRELS'

142
00:03:14,043 --> 00:03:16,293
PREDISPOSITION FOR DRUG ABUSE.

143
00:03:16,376 --> 00:03:17,251
>> WE HAVE FULL BACKGROUND

144
00:03:17,335 --> 00:03:18,751
REPORTS ON EACH.

145
00:03:18,835 --> 00:03:21,585
GENTLEMAN, ANTONIO TONY DeMARCO

146
00:03:21,668 --> 00:03:23,793
THUNDERBOTTOM ON BASS GUITAR--

147
00:03:23,876 --> 00:03:25,626
ONCE A MAJOR ALCOHOLIC.

148
00:03:25,710 --> 00:03:27,085
HE'S NOW SOBER.

149
00:03:27,168 --> 00:03:29,835
SAMMY "CANDY NOSE" TWINSKINS ON

150
00:03:29,918 --> 00:03:32,710
DRUMS, A CRACK COCAINE FIEND.

151
00:03:32,793 --> 00:03:33,585
SOBER.

152
00:03:33,668 --> 00:03:36,043
ON RHYTHM GUITAR, SNIZZY "SNAZ"

153
00:03:36,126 --> 00:03:37,210
BULLETS.

154
00:03:37,293 --> 00:03:39,043
HALLUCINOGENS AND HEROIN LEFT

155
00:03:39,126 --> 00:03:40,543
HIM WITH PARTIAL PARALYSIS IN

156
00:03:40,626 --> 00:03:41,418
THE FACE.

157
00:03:41,501 --> 00:03:42,668
ALSO SOBER.

158
00:03:42,751 --> 00:03:43,710
>> JUST BECAUSE THEY'RE SOBER

159
00:03:43,793 --> 00:03:44,835
RIGHT NOW DOESN'T MEAN THEY

160
00:03:44,918 --> 00:03:46,418
CAN'T RELAPSE.

161
00:03:46,501 --> 00:03:48,251
WE HAVE AVAILABLE SOMEBODY WHO

162
00:03:48,335 --> 00:03:49,585
COULD PROVE TO BE VERY IMPORTANT

163
00:03:49,668 --> 00:03:52,043
TO US--MILITARY PHARMACEUTICAL

164
00:03:52,126 --> 00:03:53,710
PSYCHOTROPIC DRUG MANUFACTURER

165
00:03:53,793 --> 00:03:56,126
DR. RAYMOMOLUTH CHESTERFIELD.

166
00:03:56,210 --> 00:03:57,126
>> I'VE BEEN EXPERIMENTING WITH

167
00:03:57,210 --> 00:03:59,043
A NEW KIND OF DRUG CALLED

168
00:03:59,126 --> 00:04:01,210
TOTALLY AWESOME SWEET ALABAMA

169
00:04:01,043 --> 00:04:02,335
LIQUID SNAKE.

170
00:04:02,418 --> 00:04:03,543
THE SMALLEST DOSAGE OF THIS DRUG

171
00:04:03,626 --> 00:04:05,043
WILL DRIVE THE USER COMPLETELY

172
00:04:05,126 --> 00:04:06,543
INSANE.

173
00:04:06,626 --> 00:04:07,751
WITH A HIGH ENOUGH DOSAGE, THEIR

174
00:04:07,835 --> 00:04:09,168
MEMORY WILL BE WIPED CLEAR AND

175
00:04:09,251 --> 00:04:10,543
THUS BE A BLANK SLATE...

176
00:04:10,626 --> 00:04:11,751
WAITING TO BE REPROGRAMMED

177
00:04:11,835 --> 00:04:13,543
IN ANY WAY ONE SEES FIT.

178
00:04:13,626 --> 00:04:16,251
>> ONCE WE REPROGRAM PICKLES,

179
00:04:16,085 --> 00:04:18,168
WE WILL BE ABLE TO DESTROY

180
00:04:18,251 --> 00:04:20,501
DETHKLOK FROM THE INSIDE OUT.

181
00:04:20,585 --> 00:04:22,460
[BIRDS CAWING]

182
00:04:22,543 --> 00:04:23,543
>> WHAT IF PICKLES NEVER COMES

183
00:04:23,626 --> 00:04:24,710
BACK?

184
00:04:24,793 --> 00:04:26,376
OH, THAT WOULD BE TOTALLY MESSED

185
00:04:26,460 --> 00:04:27,168
UP.

186
00:04:27,251 --> 00:04:28,043
>> OH, COME ON, GUYS.

187
00:04:28,126 --> 00:04:29,210
IT'S NOT LIKE THIS IS ANYONE'S

188
00:04:29,043 --> 00:04:30,293
FIRST BAND.

189
00:04:30,376 --> 00:04:31,335
YOU'LL PROBABLY ALL WANT TO GO

190
00:04:31,418 --> 00:04:32,668
AND REUNITE WITH YOUR OLD BANDS

191
00:04:32,751 --> 00:04:33,376
AT SOME POINT.

192
00:04:33,460 --> 00:04:35,376
>> DETHKLOK IS MY FIRST BAND.

193
00:04:35,460 --> 00:04:36,501
>> OH.

194
00:04:36,585 --> 00:04:37,668
WELL, ONE DAY,

195
00:04:37,751 --> 00:04:38,876
YOU'LL WANT TO REUNITE WITH US.

196
00:04:38,960 --> 00:04:39,626
>> WHY?

197
00:04:39,710 --> 00:04:41,001
WE ALREADY TOGETHER.

198
00:04:41,085 --> 00:04:42,043
>> JUST 'CAUSE WE'RE NOT BROKEN

199
00:04:42,126 --> 00:04:43,043
UP DOESN'T MEAN WE CAN'T

200
00:04:43,126 --> 00:04:43,668
REUNITE.

201
00:04:43,751 --> 00:04:44,751
>> ACTUALLYS, I THINK THAT'S

202
00:04:44,835 --> 00:04:46,543
EXACTLYS WHAT THATS MEANS.

203
00:04:46,626 --> 00:04:47,585
>> SERIOUSLY?

204
00:04:47,668 --> 00:04:48,543
>> YOU CAN'T REUNITE WITH A

205
00:04:48,626 --> 00:04:50,793
BANDS THATS HAS NOT BROKESED UP.

206
00:04:50,876 --> 00:04:52,210
THEY WON'T LET YOU.

207
00:04:52,043 --> 00:04:53,418
>> THAT SUCKS.

208
00:04:53,501 --> 00:04:54,376
GREAT.

209
00:04:54,460 --> 00:04:55,126
>> WAIT.

210
00:04:55,210 --> 00:04:57,085
CAN WE HAVE A NOT-REUNION TOUR

211
00:04:57,168 --> 00:04:58,501
WHERE WE, YOU KNOW, JUST COME

212
00:04:58,585 --> 00:05:00,126
OUT AND, LIKE, YOU KNOW, DO A

213
00:05:00,210 --> 00:05:01,043
REGULAR SHOW?

214
00:05:01,126 --> 00:05:01,876
>> NO.

215
00:05:01,960 --> 00:05:02,876
I LOOKED INTO IT.

216
00:05:02,960 --> 00:05:03,835
>> WELL, THAT'S PRETTY LAME.

217
00:05:03,918 --> 00:05:04,876
>> WELL, THAT'S SHOW BIZ.

218
00:05:04,960 --> 00:05:06,043
YOU KNOW, I SOMETIMES GETS

219
00:05:06,126 --> 00:05:07,835
CONTACTED BY MY BANDS MATES

220
00:05:07,918 --> 00:05:09,210
TRYINGS TO, YOU KNOW, RIDE MY

221
00:05:09,293 --> 00:05:11,210
COATS TAILS LIKE DROWNING RATS.

222
00:05:11,293 --> 00:05:12,668
BUT I SAYS, "SCREW YOU.

223
00:05:12,751 --> 00:05:13,418
GO DIE."

224
00:05:13,501 --> 00:05:14,168
>> OH.

225
00:05:14,251 --> 00:05:15,168
>> WHATS BANDS WERE YOU IN?

226
00:05:15,251 --> 00:05:15,876
>> OH.

227
00:05:15,960 --> 00:05:16,626
ABOUT A MILLIONS.

228
00:05:16,710 --> 00:05:18,043
I WAS IN AGNOSTIC PRIEST,

229
00:05:18,126 --> 00:05:19,251
GANGOGAR ALDILIO.

230
00:05:19,085 --> 00:05:20,210
AL IL EL.

231
00:05:20,043 --> 00:05:21,085
>> YEAH.

232
00:05:21,168 --> 00:05:21,835
>> GOGNOGMUG.

233
00:05:21,918 --> 00:05:22,418
ALUGDUG.

234
00:05:22,501 --> 00:05:23,251
>> OH, YEAH.

235
00:05:23,085 --> 00:05:23,876
>> [BLEEP]-FACE ACADEMY.

236
00:05:23,960 --> 00:05:25,251
SAUSAGE ASSASSIN.

237
00:05:25,085 --> 00:05:26,293
FINANCIALLY RAPED.

238
00:05:26,376 --> 00:05:27,293
SMUGLY DISMISSED.

239
00:05:27,376 --> 00:05:29,168
I WAS IN PRETTY MUCH EVERY BAND.

240
00:05:29,251 --> 00:05:30,418
I COULD GOES ON, IS WHAT I'M

241
00:05:30,501 --> 00:05:31,043
SAYING.

242
00:05:31,126 --> 00:05:32,210
>> OH.

243
00:05:32,043 --> 00:05:34,251
I NEED A BACK RUB.

244
00:05:34,335 --> 00:05:36,501
I MISS PICKLES.

245
00:05:36,585 --> 00:05:37,751
[CAR ALARM RINGING]

246
00:05:37,835 --> 00:05:38,668
>> OK, LOOK, I KNOW YOU'RE ALL

247
00:05:38,751 --> 00:05:39,585
SOBER NOW, AND I CAN TOTALLY

248
00:05:39,668 --> 00:05:40,418
RESPECT YOU.

249
00:05:40,501 --> 00:05:42,043
SO, I'M GOING TO RESIST THE URGE

250
00:05:42,126 --> 00:05:43,543
TO DO DRUGS AND DRINK AROUND

251
00:05:43,626 --> 00:05:44,376
YOU.

252
00:05:44,460 --> 00:05:45,376
I WILL STILL DO THEM,

253
00:05:45,460 --> 00:05:47,126
BUT I WILL EXCUSE MYSELF AND GO

254
00:05:47,210 --> 00:05:48,126
TO A DIFFERENT ROOM.

255
00:05:48,210 --> 00:05:49,168
COOL?

256
00:05:49,251 --> 00:05:49,960
GOOD.

257
00:05:50,043 --> 00:05:51,126
SO, WE DON'T HAVE A LOT OF TIME

258
00:05:51,210 --> 00:05:52,335
BEFORE THIS REUNION TOUR,

259
00:05:52,418 --> 00:05:53,876
WHICH I AM VERY EXCITED ABOUT.

260
00:05:53,960 --> 00:05:54,793
SO, LET'S JUST JUMP INTO "WATER

261
00:05:54,876 --> 00:05:55,835
HORSY BLUES."

262
00:05:55,918 --> 00:05:57,126
UH, IT'S GOOD TO SEE YOU ALL

263
00:05:57,210 --> 00:05:57,876
AGAIN.

264
00:05:57,960 --> 00:05:58,668
>> ONE...

265
00:05:58,751 --> 00:05:59,585
TWO, 3...

266
00:05:59,668 --> 00:06:00,376
4.

267
00:06:00,460 --> 00:06:05,543
[ALL PLAYING POORLY]

268
00:06:05,626 --> 00:06:06,126
>> STOP!

269
00:06:06,210 --> 00:06:07,085
STOP, STOP!

270
00:06:07,168 --> 00:06:08,251
FOR THE LOVE OF GOD!

271
00:06:08,335 --> 00:06:09,168
SWEET LORD!

272
00:06:09,251 --> 00:06:10,293
HAVE YOU PEOPLE

273
00:06:10,376 --> 00:06:11,418
FORGOTTEN HOW TO PLAY?!

274
00:06:11,501 --> 00:06:12,168
THAT SOUNDED AWFUL!

275
00:06:12,251 --> 00:06:13,210
>> NO WAY, MAN!

276
00:06:13,043 --> 00:06:14,585
WE'RE BETTER THAN EVER.

277
00:06:14,668 --> 00:06:15,293
>> DUDE...

278
00:06:15,376 --> 00:06:16,043
YOU'RE SITTING ON THE OUTSIDE OF

279
00:06:16,126 --> 00:06:16,960
THE DRUM KIT.

280
00:06:17,043 --> 00:06:18,043
>> NO, I AIN'T.

281
00:06:18,126 --> 00:06:19,001
OH, WAIT, YOU'RE RIGHT.

282
00:06:19,085 --> 00:06:19,751
SORRY.

283
00:06:19,835 --> 00:06:21,043
THAT'S WHY IT FELT WEIRD.

284
00:06:21,126 --> 00:06:22,626
LET ME JUST GET ON BACK THERE.

285
00:06:22,710 --> 00:06:23,376
>> JUST GO AROUND.

286
00:06:23,460 --> 00:06:24,210
IT'S--DON'T CLIMB...

287
00:06:24,293 --> 00:06:25,043
[CRASH]

288
00:06:25,126 --> 00:06:26,085
OVER.

289
00:06:26,168 --> 00:06:26,710
TONY, DUDE,

290
00:06:26,793 --> 00:06:27,460
I COULDN'T EVEN HEAR YOUR BASS

291
00:06:27,543 --> 00:06:28,085
AT ALL.

292
00:06:28,168 --> 00:06:28,918
>> UH...

293
00:06:29,001 --> 00:06:29,668
OH.

294
00:06:29,751 --> 00:06:30,335
MY AMP IS OFF.

295
00:06:30,418 --> 00:06:31,043
>> WHY?

296
00:06:31,126 --> 00:06:32,085
>> HEY, I'M SAVING MONEY ON

297
00:06:32,168 --> 00:06:32,835
ELECTRICITY, BRO.

298
00:06:32,918 --> 00:06:34,085
I'M NOT MADE OUT OF MONEY.

299
00:06:34,168 --> 00:06:35,085
>> JUST TURN IT ON.

300
00:06:35,168 --> 00:06:35,918
I'LL REIMBURSE YOU.

301
00:06:36,001 --> 00:06:37,251
>> YOU GOT A DEAL.

302
00:06:37,085 --> 00:06:38,168
[AMP HUMS]

303
00:06:38,251 --> 00:06:39,043
>> GREAT.

304
00:06:39,126 --> 00:06:40,293
SOUNDS WONDERFUL.

305
00:06:40,376 --> 00:06:41,293
HEY, BULLETS,

306
00:06:41,376 --> 00:06:42,085
WHAT IS THIS THING YOU'RE

307
00:06:42,168 --> 00:06:42,918
WEARING?

308
00:06:43,001 --> 00:06:43,626
WHAT IS IT?

309
00:06:43,710 --> 00:06:44,460
>> IT'S AN INVENTION OF MINE.

310
00:06:44,543 --> 00:06:45,376
IT'S A STRAPLESS GUITAR THAT

311
00:06:45,460 --> 00:06:47,085
ALSO FUNCTIONS AS A GIRDLE.

312
00:06:47,168 --> 00:06:48,626
IT'S CALLED A GIGIRDLE-A-TAR.

313
00:06:48,710 --> 00:06:49,960
I CAN MAKE YOU ONE.

314
00:06:50,043 --> 00:06:50,751
>> GUYS!

315
00:06:50,835 --> 00:06:51,960
WE HAVE GOT A LOT OF WORK TO DO,

316
00:06:52,043 --> 00:06:53,418
AND NOT VERY MUCH TIME.

317
00:06:53,501 --> 00:06:54,293
WE'VE GOTTA GET YOU IN SHAPE OR

318
00:06:54,376 --> 00:06:55,210
WE'RE GONNA DISAPPOINT A WHOLE

319
00:06:55,293 --> 00:06:57,043
LOT OF PEOPLE OUT THERE.

320
00:06:57,126 --> 00:06:58,543
SNAKES N' BARRELS HAS GOT NO

321
00:06:58,626 --> 00:07:01,168
CHOICE BUT TO ROCK HARDER THAN

322
00:07:01,251 --> 00:07:02,626
EVER.

323
00:07:02,710 --> 00:07:11,126
[HARD ROCK MUSIC PLAYING]

324
00:07:14,793 --> 00:07:17,543
>> [CHEERING]

325
00:07:17,626 --> 00:07:18,876
[TUNING GUITAR]

326
00:07:18,960 --> 00:07:19,835
>> HEY.

327
00:07:19,918 --> 00:07:21,376
GOOD LUCK ON YOUR SHOW TONIGHT.

328
00:07:21,460 --> 00:07:22,418
>> OH.

329
00:07:22,501 --> 00:07:23,543
HEY, THANKS.

330
00:07:23,626 --> 00:07:24,793
I GOTTA GET READY BACK HERE IF

331
00:07:24,876 --> 00:07:25,668
YOU DON'T MIND.

332
00:07:25,751 --> 00:07:26,751
>> GO GET STIBBED.

333
00:07:26,835 --> 00:07:28,626
HAVES A REALLY GREAT SHOW.

334
00:07:28,710 --> 00:07:30,085
DO THAT FOR ME.

335
00:07:30,168 --> 00:07:30,876
>> YEAH.

336
00:07:30,960 --> 00:07:31,460
I GOTTA...

337
00:07:31,543 --> 00:07:32,293
YOU KNOW, GET READY.

338
00:07:32,376 --> 00:07:35,001
>> JUST DON'T FORGET ABOUT US.

339
00:07:35,085 --> 00:07:37,043
HE'S A GOOD KID!

340
00:07:37,126 --> 00:07:38,168
>> OH.

341
00:07:38,251 --> 00:07:39,168
YOU'RE ACTING WEIRD.

342
00:07:39,251 --> 00:07:40,251
>> WE'RE JUST, YOU KNOW...

343
00:07:40,335 --> 00:07:42,168
WE CARE ABOUT YOU.

344
00:07:42,251 --> 00:07:43,001
>> YEAH, IF YOU GETS A PROBLEM

345
00:07:43,085 --> 00:07:44,918
WITH THAT, THEN, WELL, I GUESS

346
00:07:45,001 --> 00:07:46,168
THAT'S JUST SAD.

347
00:07:46,251 --> 00:07:46,960
>> OH, GOD.

348
00:07:47,043 --> 00:07:48,043
I'M NOT LEAVING DETHKLOK.

349
00:07:48,126 --> 00:07:49,168
I TOLD YOU THIS A BILLION TIMES,

350
00:07:49,251 --> 00:07:50,085
OK.

351
00:07:50,168 --> 00:07:51,251
I'M JUST DOING THIS FOR FUN.

352
00:07:51,335 --> 00:07:52,876
>> OH, WELL, IT'S NOT BRUTAL,

353
00:07:52,960 --> 00:07:53,751
YOU KNOW.

354
00:07:53,835 --> 00:07:55,460
SNAKES N' BARRELS ISN'T BRUTAL.

355
00:07:55,543 --> 00:07:56,251
>> I KNOW.

356
00:07:56,335 --> 00:07:57,085
>> OK.

357
00:07:57,168 --> 00:07:57,876
>> OK.

358
00:07:57,960 --> 00:07:59,501
>> JUST DO A GREAT JOB.

359
00:07:59,585 --> 00:08:01,126
BUT DON'T LEAVE US.

360
00:08:01,210 --> 00:08:02,210
I'M GONNA GET GOING.

361
00:08:02,043 --> 00:08:03,293
YOUR MUSIC SUCKS, AND YOU'RE AN

362
00:08:03,376 --> 00:08:04,460
ASSHOLE.

363
00:08:04,543 --> 00:08:05,918
I'M NOT--I'M HAVING A HARD TIME

364
00:08:06,001 --> 00:08:07,210
EXPRESSING MYSELF.

365
00:08:07,293 --> 00:08:08,085
>> WILL GUYS GET THE HELL OUT OF

366
00:08:08,168 --> 00:08:09,043
HERE?

367
00:08:09,126 --> 00:08:09,751
I'M SUPPOSED TO BE GOING OVER

368
00:08:09,835 --> 00:08:10,335
THE SONGS.

369
00:08:10,418 --> 00:08:11,126
>> OH, YEAH?

370
00:08:11,210 --> 00:08:12,293
WELL, WHEN--WHERE'S YOUR STUPID

371
00:08:12,376 --> 00:08:13,085
BAND?

372
00:08:13,168 --> 00:08:14,126
>> [SIGHS]

373
00:08:14,210 --> 00:08:15,126
I DON'T EVEN KNOW WHERE THEY

374
00:08:15,210 --> 00:08:16,001
ARE.

375
00:08:16,085 --> 00:08:17,168
>> HEY, YOU GUYS WANT TO DO SOME

376
00:08:17,251 --> 00:08:19,085
TOTALLY AWESOME SWEET ALABAMA

377
00:08:19,168 --> 00:08:20,251
LIQUID SNAKE?

378
00:08:20,335 --> 00:08:21,043
>> UH...

379
00:08:21,126 --> 00:08:22,668
>> UH...

380
00:08:22,751 --> 00:08:23,668
>> YOU GUYS ARE GONNA GET SO

381
00:08:23,751 --> 00:08:25,001
HIGH THAT YOUR MINDS ARE GONNA

382
00:08:25,085 --> 00:08:26,751
BLOW CHUNKS TO OUTER SPACE AND

383
00:08:26,835 --> 00:08:28,168
TO THE MILKY WAY.

384
00:08:28,251 --> 00:08:29,460
>> UH...

385
00:08:29,543 --> 00:08:30,293
>> UH...

386
00:08:30,376 --> 00:08:31,626
>> UH...

387
00:08:31,710 --> 00:08:33,251
[ALL GROANING]

388
00:08:33,335 --> 00:08:34,293
>> AND WHAT BETTER WAY TO

389
00:08:34,376 --> 00:08:35,918
CELEBRATE THE REUNION THAN WITH

390
00:08:36,001 --> 00:08:37,418
A GOOD OLD-FASHIONED MILKY WAY

391
00:08:37,501 --> 00:08:39,543
CHUNK-BLOW, HMM?

392
00:08:39,626 --> 00:08:40,876
>> [CHEERING]

393
00:08:40,960 --> 00:08:41,710
>> ALL RIGHT.

394
00:08:41,793 --> 00:08:43,210
LET'S KICK ASS TONIGHT.

395
00:08:43,043 --> 00:08:44,501
>> YEAH.

396
00:08:44,585 --> 00:08:45,751
>> OH, I ALMOST FORGOT.

397
00:08:45,835 --> 00:08:47,251
WE GOT SOME TOTALLY AWESOME

398
00:08:47,085 --> 00:08:49,043
SWEET ALABAMA LIQUID SNAKE FROM

399
00:08:49,126 --> 00:08:49,960
A DUDE.

400
00:08:50,043 --> 00:08:50,710
>> OH, COME ON, GUYS.

401
00:08:50,793 --> 00:08:51,543
I DON'T WANT TO ENCOURAGE ANY

402
00:08:51,626 --> 00:08:52,376
DRUG--OK.

403
00:08:52,460 --> 00:08:53,835
I'LL DO IT.

404
00:08:53,918 --> 00:08:54,793
CHEERS.

405
00:08:54,876 --> 00:08:56,585
>> CHEERS.

406
00:08:56,668 --> 00:08:58,251
>> YEAH, YEAH, YEAH!

407
00:08:58,085 --> 00:08:59,251
SNAKES N' BARRELS ARE GONNA

408
00:08:59,085 --> 00:09:02,668
ROCK YOU!

409
00:09:02,751 --> 00:09:04,251
TWO, 3, 4!

410
00:09:04,085 --> 00:09:05,126
[HARD ROCK BEGINS]

411
00:09:05,210 --> 00:09:05,793
♪ WELL, YOU CAN LEAD

412
00:09:05,876 --> 00:09:06,376
A HORSE TO WATER

413
00:09:06,460 --> 00:09:07,043
BUT YOU CAN'T MAKE HIM DRINK

414
00:09:07,126 --> 00:09:07,918
YOU GOT THE BELLY OF A SINNER

415
00:09:08,001 --> 00:09:08,876
AND THE PANTIES OF A SAINT

416
00:09:08,960 --> 00:09:09,668
YOU GOT A STITCH IN TIME

417
00:09:09,751 --> 00:09:10,876
AND IT'S GONNA SAVE YOU 9

418
00:09:10,960 --> 00:09:12,043
FIRST YOU TRY TO WING IT, BABY

419
00:09:12,126 --> 00:09:13,043
ALSO TRY TO FLING IT

420
00:09:13,126 --> 00:09:13,918
YOU GOT IT EASY COME

421
00:09:14,001 --> 00:09:15,001
AND EASY GO

422
00:09:15,085 --> 00:09:16,126
ONLY ONE WAY TO GO

423
00:09:16,210 --> 00:09:16,793
YOU GOTTA GET UP OFF THE FLOOR

424
00:09:16,876 --> 00:09:18,001
YOU GOT AN ALFA-ROMERO

425
00:09:18,085 --> 00:09:18,918
IT'S A NATURAL WIN

426
00:09:19,001 --> 00:09:19,960
I GUESS I'M REALLY TIRED

427
00:09:20,043 --> 00:09:20,876
SINGING HEY, HEY, HEY

428
00:09:20,960 --> 00:09:21,793
WHEN YOU GET UP AND GO

429
00:09:21,876 --> 00:09:22,835
AND YOU KNOW YOU CAN'T DO IT

430
00:09:22,918 --> 00:09:23,751
NO, YOU DON'T HAVE A CHANCE

431
00:09:23,835 --> 00:09:25,085
BUT YOU GO, GO, GO

432
00:09:25,168 --> 00:09:25,835
BECAUSE THE PIE IN THE SKY

433
00:09:25,918 --> 00:09:26,835
IS A BIRD THAT WON'T FLY

434
00:09:26,918 --> 00:09:27,793
AND YOU HEAR THE OLD SONG

435
00:09:27,876 --> 00:09:28,835
WITH THE WONDERFUL LINE

436
00:09:28,918 --> 00:09:30,001
YEAH, AND WHAT GOES UP

437
00:09:30,085 --> 00:09:31,043
YOU KNOW IT'S GOTTA COME DOWN

438
00:09:31,126 --> 00:09:31,960
WHEN YOUR GLASS IS HALF-EMPTY

439
00:09:32,043 --> 00:09:32,918
WHEN YOU'RE GOING DOWNTOWN

440
00:09:33,001 --> 00:09:33,876
AND YOU KNOW YOU'RE GOING DOWN

441
00:09:33,960 --> 00:09:35,918
WHEN THE MOTHER... ♪

442
00:09:36,001 --> 00:09:37,085
[FEEDBACK]

443
00:09:37,168 --> 00:09:39,085
[GUITAR SOLO]

444
00:09:39,168 --> 00:09:41,543
[M

445
00:09:41,626 --> 00:09:46,210
>> [ROARING]

446
00:09:46,043 --> 00:09:54,460
>> [SHRIEKING]

447
00:09:55,418 --> 00:09:57,251
>> NO!

448
00:09:57,085 --> 00:09:59,251
NO!

449
00:09:59,085 --> 00:10:01,126
>> [SHRIEKING]

450
00:10:01,210 --> 00:10:03,210
>> [SCREAMING]

451
00:10:03,043 --> 00:10:04,751
>> NO!

452
00:10:04,835 --> 00:10:10,876
>> AAGH!

453
00:10:10,960 --> 00:10:12,168
>> APPARENTLY SNAKES N' BARRELS

454
00:10:12,251 --> 00:10:13,793
WERE GIVEN PSYCHOTROPIC DRUGS

455
00:10:13,876 --> 00:10:15,085
THAT HAVE ERASED THEIR MINDS--

456
00:10:15,168 --> 00:10:16,376
EXCEPT FOR PICKLES, WHO THE

457
00:10:16,460 --> 00:10:17,585
DRUGS HAD NO EFFECT ON

458
00:10:17,668 --> 00:10:18,376
WHATSOEVER.

459
00:10:18,460 --> 00:10:19,126
>> I GREW UP SMOKING GOVERNMENT

460
00:10:19,210 --> 00:10:20,126
WEED EVERY DAY.

461
00:10:20,210 --> 00:10:21,626
YOU KNOW, I HAD KIDDIE GLAUCOMA.

462
00:10:21,710 --> 00:10:22,543
DON'T ASK ME.

463
00:10:22,626 --> 00:10:23,335
I'M IMMUNE TO JUST ABOUT

464
00:10:23,418 --> 00:10:24,210
EVERYTHING.

465
00:10:24,293 --> 00:10:25,085
>> THE RECORDING OF THAT NIGHT'S

466
00:10:25,168 --> 00:10:26,710
CONCERT EVENT HAS ROCKETED

467
00:10:26,793 --> 00:10:28,251
THROUGH THE CHARTS AND IS BEING

468
00:10:28,085 --> 00:10:30,043
CALLED THE MOST BRUTAL ALBUM OF

469
00:10:30,126 --> 00:10:31,251
ALL TIME.

470
00:10:31,085 --> 00:10:33,210
>> MOST BRUTAL ALBUM, HUH?!

471
00:10:33,043 --> 00:10:33,835
UGH.

472
00:10:33,918 --> 00:10:34,876
I HATE TO SAY IT--

473
00:10:34,960 --> 00:10:36,126
THEY'RE RIGHT.

474
00:10:36,210 --> 00:10:37,876
IT'S AN AMAZING ALBUM.

475
00:10:37,960 --> 00:10:39,543
CONGRATULATIONS, PICKLES.

476
00:10:39,626 --> 00:10:40,668
IT IS SO CHILLING.

477
00:10:40,751 --> 00:10:42,043
>> WHAT A GREAT WAY TO GO OUT,

478
00:10:42,126 --> 00:10:42,918
TOO.

479
00:10:43,001 --> 00:10:44,251
I ONLY HOPE WE CAN END THAT

480
00:10:44,085 --> 00:10:46,085
WAY--CLAWING OUR EYES OUT,

481
00:10:46,168 --> 00:10:48,335
THROWING UP ACID BLOOD.

482
00:10:48,418 --> 00:10:49,543
>> I OFFICIALLY TAKES BACKS

483
00:10:49,626 --> 00:10:50,626
WHATEVER I SAY ABOUT

484
00:10:50,710 --> 00:10:52,168
SNAKES N' BARRELS.

485
00:10:52,251 --> 00:10:53,585
YOU'RE AMAZING.

486
00:10:53,668 --> 00:10:54,668
>> THIS MUSIC IS LIKES POTATO

487
00:10:54,751 --> 00:10:55,376
CHIPS.

488
00:10:55,460 --> 00:10:56,751
I CAN'T STOPS LISTENING TO IT.

489
00:10:56,835 --> 00:10:57,793
PLAYS IT AGAIN.

490
00:10:57,876 --> 00:10:58,835
>> ALL RIGHT.

491
00:10:58,918 --> 00:11:00,210
>> [SCREAMING]

492
00:11:00,043 --> 00:11:01,085
>> MY GIGIRDLE-A-TAR IS

493
00:11:01,168 --> 00:11:02,918
CHOCKING MY CHUBBY AND MY

494
00:11:03,001 --> 00:11:05,168
GUTS HURTS WHERE MY--

495
00:11:05,251 --> 00:11:06,251
>> THERE'S LITTLE CIVIL WAR

496
00:11:06,335 --> 00:11:08,251
SOLDIERS LICKING OFF MY SKIN!

497
00:11:08,335 --> 00:11:09,960
>> I'M AWARE OF MYSELF!

498
00:11:10,043 --> 00:11:11,293
>> [SCREAMING]

499
00:11:11,376 --> 00:11:13,085
>> GET IT OFF ME!

500
00:11:13,168 --> 00:11:14,418
>> OH, NO!

501
00:11:14,501 --> 00:11:17,376
I'M AM ALSO AWARE OF MY TONGUE!

502
00:11:17,460 --> 00:11:19,751
AAGH!

503
00:11:19,835 --> 00:11:20,668
>> I BELIEVE I'M A CHICKEN!

504
00:11:20,751 --> 00:11:21,418
I'M A CHICKEN!

505
00:11:21,501 --> 00:11:22,043
I'M A CHICKEN!

506
00:11:22,126 --> 00:11:24,085
I'M A--I'M A CHICKEN.

507
00:11:24,168 --> 00:11:25,251
I BELIEVE I'M A CHICKEN.

508
00:11:25,085 --> 00:11:26,168
>> CHIRP.

509
00:11:26,251 --> 00:11:27,168
[CAPTIONING MADE POSSIBLE BY

510
00:11:27,251 --> 00:11:28,293
TURNER ENTERTAINMENT GROUP]

511
00:11:28,376 --> 00:11:29,210
[CAPTIONED BY THE NATIONAL

512
00:11:29,293 --> 00:11:30,251
CAPTIONING INSTITUTE

513
00:11:30,335 --> 00:11:32,126
--www.ncicap.org--]